Subdivision
| • | 501. Creative Artists | [X] |
| | 1 | Name: | Mr. Woody Allen | | | Year Elected: | 2010 | | | Class: | 5. The Arts, Professions, and Leaders in Public & Private Affairs | | | Subdivision: | 501. Creative Artists | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1935 | | | | | | |
In a career spanning nearly five decades and three dozen films, Woody Allen has established himself as one of the major auteurs of contemporary international cinema, with a comic voice that is distinctively twentieth-century American-jokey, anxious, unmistakably New York-and a moral and aesthetic vision that owes much to the filmmaker’s immersion in the great classics of European literature and cinema. Having established his comic bona fides with early works from Play It Again, Sam (an early foray into magical realism) to his paranoid futuristic fantasy Sleeper, Allen came into his own as a serious artist, with a special talent for depicting wry romantic disappointment in the context of American subcultural conflicts, in films such as his Oscar-winning Annie Hall and Manhattan. A series of marvelously rich tragicomedies of the 1980s, tinged with distinctively Continental colors and experimenting with great success with magical realism and metafictionality as technical means of exploring his perennial interest in the relationships between eros, art, and morality, includes The Purple Rose of Cairo, Crimes and Misdemeanors and Alice-an evolution that has been capped, in more recent years, by such acclaimed later works as Match Point and Vicky Christina Barcelona. His recent films include Midnight in Paris (2011) and Blue Jasmine (2013). In 2014 he was awarded the Cecil B. DeMille Lifetime Achievement Award. | |
| 2 | Name: | Ms. Rosalind Chast | | | Institution: | The New Yorker | | | Year Elected: | 2010 | | | Class: | 5. The Arts, Professions, and Leaders in Public & Private Affairs | | | Subdivision: | 501. Creative Artists | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1954 | | | | | | |
Rosalind (Roz) Chast received a BFA at the Rhode Island School of Design. In 1998 she was awarded an honorary doctorate by the Pratt Institute and in 2004 she was given the Museum of Cartoon and Comic Art Festival Award. She is the author and illustrator of Last Resorts, 1979; Unscientific Americans, 1982; Parallel Universes, 1984; Mondo Boxo, 1987; The Four Elements, 1988; Proof of Life on Earth, 1992; The Joy of Being Single, 1992; Childproof, 1997; Rationalizations To Live By, 2002; Weird and Wonderful Words, 2004; The Party, After You Left, 2004; Theories of Everything: Selected, Collected, and Health-Inspected Cartoons 1978-2006, 2006; with Steve Martin, The Alphabet from A to Y With Bonus Letter Z!, 2007; What I Hate: From A to Z, 2011; and Can't We Talk About Something More Pleasant? 2014 (which won the National Book Award in Autobiography). She was elected a member of the American Philosophical Society in 2010.
Ms. Chast is one of the most gifted cartoonists of her generation. Since 1979 she has been on the staff of The New Yorker, where she has now published more than a thousand cartoons. Her first of many covers for The New Yorker appeared in 1986. Her work also appears in other publications, including Scientific American and Harvard Business Review. If her cartoons have a common denominator it must be that they are very clever and quietly and irresistibly funny. She draws little figures, sometimes inquisitive, sometimes abashed, and most often bewildered. Chast's subjects are usually domestic or family oriented. Her art is deceptively simple; many surprises await the reader who parses carefully the backgrounds against which her figures appear. Her comics reflect a "conspiracy of inanimate objects," an expression she credits to her mother. Her most recent book, Theories of Everything: Selected, Collected, and Health-Inspected Cartoons 1978-2006, offers a splendid review of Chast's work; amusement, with moments of breaking into uncontrollable laughter, is guaranteed. | |
| 3 | Name: | Mr. Paul Moravec | | | Institution: | Adelphi University | | | Year Elected: | 2010 | | | Class: | 5. The Arts, Professions, and Leaders in Public & Private Affairs | | | Subdivision: | 501. Creative Artists | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1957 | | | | | | |
Through his Tempest Fantasy, his recent opera, his numerous orchestral and choral works, as well as the chamber piece Useful Knowledge created for Benjamin Franklin's words and an instrument that Franklin is believed to have invented (the glass harmonica), Paul Moravec has achieved great distinction among the new generation of tonal composers. His theatrical instincts are reflected in his choice of themes, such as Shakespeare's Tempest, a blizzard in the 19th century, and Maugham's steamy tale of adultery in Southeast Asia. His exceptional mastery of orchestration has produced music of great emotional intensity. He contributes energetically to the promotion of contemporary music by supporting younger musicians, by frequently speaking before concerts and operas, and by actively collaborating with writers. Dr. Moravec is currently University Professor at Adelphi University, having earned his D.M.A. from Columbia University in 1987. In addition to those works listed above, he composed Blizzard Voices in 2007, The Letter in 2009, and the music for Sanctuary Road in 2018. He was awarded the Pulitzer Prize for Music in 2004 and the Arts and Letters Award in Music from the Academy of Arts & Sciences in 2012. Paul Moravec was elected a member of the American Philosophical Society in 2010 | |
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